Bakehouse Art Complex: Fresh Goods Gallery
Skip to main content
  • Menu
  • Art & Experiences
  • Store
  • About Bakehouse
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
Open a larger version of the following image in a popup: Jason Fulford, Kentucky, 2004 (Washing Machine), 2005

Jason Fulford Atlanta, Georgia, b. 1973

Kentucky, 2004 (Washing Machine), 2005
c-print
24 x 24 in
(print 40 x 30 in)
ed. 1/5
unframed
certificate of authenticity included
$ 1500.00
Jason Fulford, Kentucky, 2004 (Washing Machine), 2005
Sold
Inquire
%3Cdiv%20class%3D%22artist%22%3EJason%20Fulford%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EKentucky%2C%202004%20%28Washing%20Machine%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2005%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ec-print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E24%20x%2024%20in%3Cbr/%3E%0A%28print%2040%20x%2030%20in%29%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3Eed.%201/5%3Cbr/%3E%0Aunframed%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Ecertificate%20of%20authenticity%20included%3C/div%3E
View on a Wall
Many of Jason Fulford’s photographs come from his travels, which he usually takes on a motorcycle for the more intimate, physical experience of being closer to one’s surroundings than in...
Read more

Many of Jason Fulford’s photographs come from his travels, which he usually takes on a motorcycle for the more intimate, physical experience of being closer to one’s surroundings than in a car. His photographs have been described as having an American sensibility, a “mute humor and inexplicable sadness.” This image of a beat-up washing machine whose door and lid have been duct-taped to stay closed is humorous in the futility of the duct-tape. Clearly, the tape was not needed given the state of the washer now, nor did it help keep the lid on. Scattered throughout this valley in Kentucky appears to be other appliances or machines that have been shot at or mangled in some way. Fulford’s portrait of this machine in disrepair, intentionally neglected, is an interesting break in the chain of capitalist consumption—what happens to things when they are no longer needed? What sorts of experiments or recreation takes place in remote parts of the country?

Close full details

Provenance

Martin Z. Margulies Foundation

Marcia Wood Gallery

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
24 
of  55

terms and conditions

privacy policy

Facebook, opens in a new tab.
Instagram, opens in a new tab.
Join the mailing list
Send an email
Manage cookies
Copyright © 2025 Bakehouse Art Complex: Fresh Goods Gallery
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences